Performing arts
Case Study
Simon hat einfach ein Händchen dafür, komplexe Inhalte in klare Botschaften, klare Geschichten zu übersetzen und daraus eine passgenaue Dramaturgie zu entwickeln. Seine Empathie & die Fähigkeit Kommunikation bedürfnisgerecht für die verschiedenen Stake/ Shareholder aufzubauen hat uns im Beratungsteam in verschiedenen Geschäftsführer -oder Projektpräsentation extrem geholfen! Sei es im Verkauf oder im Projekt. Neben dem beruflichen Erfolg hat jedes Teammitglied etwas für sich und sein Leben mitgenommen!
Chapeau, Simon. Weiter so & immer wieder gerne!
Ralph M.
Ulysses on the Bottle Raft (2014)
Simon directed this staged reading of Gilad Evron’s play at Theater Nestroyhof Hamakom in Vienna during the “Israel Plays Today” festival. The play explores the complex and often contradictory relationships between Israelis and Palestinians, delving into profound human conflicts. The production was celebrated for its empathetic portrayal and focused presentation of the central themes. The ensemble’s ability to bring the text’s philosophical depth and emotional intensity to life was particularly praised.
1948 (2015)
Under Simon’s direction, Noya Lancet’s play 1948 was presented as a staged reading at Theater Nestroyhof Hamakom. The work, based on Yoram Kaniuk’s autobiographical novel, recounts the experiences of a young man during the Israeli War of Independence. Simon’s production was lauded for its sensitive depiction of historical events and the powerful performances of the ensemble. It was recognized in a master’s thesis as a significant contribution to discussions of Israeli history and identity.
Nothing (2015)
„Nothing“ (2015): Simon adapted Janne Teller’s novel Nothing: What Matters in Life at the Max Reinhardt Seminar. The production was selected for the TACT Festival in Trieste, where it premiered on June 9, 2015. The staging was acclaimed for its intense engagement with the novel’s existential questions and its innovative interpretation. Critics highlighted the atmospheric depth and the moving portrayal of the themes, which were both unsettling and deeply impactful.
Dream a Life (2015)
This scenic-musical project, directed by Simon Dworaczek, combined texts by Franz Grillparzer, Arthur Schnitzler, and Thomas Bernhard with music by Franz Schubert. Premiered at the International Summer Academy Festival in Reichenau an der Rax, it was later performed at MuTh in Vienna. The production was praised for its innovative integration of literature and music and its cohesive overall experience.
Lenz (2016)
Simon directed Georg Büchner’s novella Lenz as a pre-diploma project at the Max Reinhardt Seminar. Performed on the rehearsal stage of Theater in der Josefstadt and later at Theater Meggenhofen, the production was celebrated for its intense portrayal of the protagonist’s inner turmoil and innovative staging. The ensemble’s performances and the production’s atmospheric density were particularly commended.
Speak freely! (2016)
Simon presented this piece on stuttering as his graduation project at the Max Reinhardt Seminar. Based on improvisations and personal experiences, the play explored the inner and outer worlds of a stuttering individual. It was praised for its intimate, authentic portrayal and sensitive handling of the subject.
Sing it out! (2016)
Simon created this radio drama collage to convey the experience of stuttering. Developed through interviews with stuttering and non-stuttering individuals, the piece was recorded with acting students and participants at the ORF Radio House. The project was celebrated for its empathetic depiction of stuttering and innovative use of radio as a medium.
Nanjing. The Future (2017)
Simon directed this play by Swiss author Gornaya at Volkstheater Vienna. The story follows a small family whose life is thrown into crisis by globalization when the father is sent to Nanjing to work for Wiesner Button Industries. The production was praised for its powerful depiction of globalization’s impact on individuals and families.
Prometheus. A Variation (2018)
Simon developed and directed this piece at Stadttheater Ingolstadt as part of the Future Congress on June 15, 2018. The performance offered a modern interpretation of the Prometheus myth, combining classical elements with contemporary themes to explore questions of power, rebellion, and responsibility. Simon’s direction was celebrated for its depth and precision, creating a production that challenged intellectually while moving audiences emotionally. With dynamic scene transitions and symbolic moments, he opened up new perspectives on the ancient myth. The powerful performances under his direction highlighted the timeless relevance of the themes.
Elsa's Dream (2018)
Simon directed this children’s play by Jérôme Junod at Dschungel Wien. The story follows Elsa, a young bee who dreams of more than inheriting the hive. Together with her friend Uschi, she embarks on an adventurous journey through the insect world, gaining new perspectives. The imaginative production was praised for its vibrant staging, creative set design, and humor that delighted both children and adults.
The Dancing Lesson (2019)
Simon directed Mark St. Germain’s play at Schauspielhaus Salzburg. The story revolves around Ever Montgomery, a professor with Asperger’s syndrome, who takes dance lessons from his neighbor, Senga Quinn, a wounded dancer. The production captivated audiences with its sensitive portrayal, its balance of humor and depth, and the magical visuals that left a lasting impression.
Furor (2019)
At Stadttheater Ingolstadt, Simon directed this political drama by Lutz Hübner and Sarah Nemitz. The play centers on the confrontation between a mayor and a young man whose lives intertwine after an accident. The production impressed audiences with its precise acting and compelling portrayal of societal radicalization. It was selected as the most innovative production in Bavaria for the 37th Bavarian Theater Days in 2020.
Freedom of All! (2020)
Simon developed this youth play with a young ensemble at Schauspielhaus Salzburg, resulting in authentic language and relatable dialogue. The story follows five teenagers who explore their future through imaginary scenarios, discovering the unpredictability of life. The production was praised for its connection to young people’s realities and its lively depiction of dreams and challenges. Published by Thomas Sessler Verlag, the play appeals to young theater groups and audiences. With humorous and profound moments, it inspires reflection on personal goals and societal expectations.
Live or let die? (2020)
„Live or Let Die?“ (2020):
Simon directed this play at Theater KOSMOS in Bregenz, which explores global upheavals and their effects on individual lives. Balancing drama and comedy, the play asks the question: “Live or let die?” The production thrilled audiences with its creative approach to pressing societal issues, its intelligent blend of fantasy and reality, and emotionally rich performances that skillfully combined humor and reflection.
